Fine Arts Graduates, Theatre Majors From 1990-1999

1999
Cogan, Helen Heller. “Community Standards for Theatrical Productions in a Rural Southwestern County.” (Donahue)

Doll, William Maurice. “The Progress, Development, and Integration of Paul Baker’s Integration of Abilities.” (Marks)

Stinespring, Louise Mallory. “Principles of Truthful Acting: A Theoretical Discourse on Sanford Meisner’s Practice.” (Wilcox and Thomasson)

1998
Martin, Deborah Gail. “Texas Tech University Theatre Season Subscription Campaign: A Marketing Analysis and Plan.” (Donahue)

1997
Hebert, Donald Francis. “Steele Mackaye: Actor Training Methods.” (Weaver)

Thompson, Joe Bill. “A Marketing Model for the Texas Tech University Department of Theatre and Dance Graduate Program: A Professional Problem.” (Weaver)

1996
Davis, Ginny Ann. “The Creation of a Strategic Planning Model for Small Not-for-Profit Theatres: An Internship Project.” (Weaver)

Park, Jae-wan. “The Director’s Perception of Text and Actors’ Presence: A Professional Problem.” (Sorenson)

Potts, Katherine Edrine. “The Use of Masks in the Rehearsal Process: A Professional Problem.” (Weaver)

Simone, Edward John. “Imaginary Forces: Creating Character for the Stage.” (Weaver)

1995
Alvarado, Rudolph Valier. “A History of Theatre in Lubbock, Texas.” (Sorenson)

Hill, Carale Manning. “Light in Her Hands: A Biography of Irene Corey.” (Sorenson)

LeMaster, David James. “Charlie Chaplin and Harpo Marx as Masks of the Commedia dell’Arte: Theory and Practice.” (Sorenson)

Nodsle, Catherine D. Moore. “The Impact of Computerized Box Office Systems on Selected Theatres in America.” (Weaver)

Smith-DeHesus, Julia Lillian. “An Examination and Analysis of Theatre Subscribers at the University of Arizona: Arizona Repertory Theatre.” (Weaver)

1994
Allen, David Roger. “Training Directors in Communication for the Rehearsal Process: A Pilot Study.” (Sorenson and Hawkins)

Benson, Ruthann Elaine. “The Use of Mythology and Archetypes in Character Development in an Actor Training Program: A Professional Problem.” (Sorenson)

Fish-Davis, Jean Marie. “Dissolving the Boundaries: An Interdisciplinary Course Model Designed to Acquaint Community College Students with the Fine Arts and their Interrelationships.” (Weaver)

Olsberg, Dagne. “Freedom, Structure, Freedom: Anne Bogart’s Directing Philosophy.” (Sorenson)

1993
Hardy, John Michael. “Development of Playwriting Theory: Demonstrated in Two Original Playscripts.” (Weaver)

Ivins, Jerry R. “The Training of Stage Actors in Film/Video Acting Techniques: An Interdisciplinary Approach.” (Sorenson)

Klinger, Joseph Francis. “A Methodology for Playwriting.” (Weaver)

Nazworth, Daniel Keith. “A Handbook for Stage Combat.” (Weaver)

Spangler, Victoria Elain. “Teen Theatre for Prevention: A Model for Addressing Adolescent Risk Issues.” (Sorenson)

1992
Donahue, Linda Giss. “Marketing the Arts to a Multicultural Population.” (Weaver)

Edwards, Steven Earl. “Three Original Plays.” (Jones)

Warriner, John Benjamin. “Performance Training in Musical Theatre: A Professional Problem.” (Sorenson)

1991
Aghssa, Pirooz. “A Historical and Theoretical Investigation of Self-Dramatized Performance and Its Influence on Aspects of Twentieth Century American Theatre.” (Sorenson)

Cunningham, James G. “A Catalog: The Robert L.B. Tobin Collection of Original Scene Designs, 1900-1940.” (Sorenson)

Davis, Debra F. “Mime as an Actor Training Technique: A Professional Problem.” (Sorenson)

Hassan, Kaied Filfil. “Arabian Nights: Its Background, Its Development as an Original Play, and the Influence of theNights on English Literature and Drama.” (Sorenson)

Ivey, James P. “Fred Curchak, Shamanistic Cross-Culturalism: The Development of a Performance Style.” (Sorenson)

Lewis, Terral S. “The Utah Shakespearean Festival: Twenty-Five Years in Retrospect.” (Sorenson)

Risso, Roberta. “The Formation of an Oklahoma Shakespearean Festival.” (Weaver)

Serra, Duff. “The Representation of the Passions and Affections in English Theatre of the Seventeenth and Eighteenth Centuries.” (Sorenson)

Stafford, Richard D. “Play Ownership and the Struggle for Creative Control in Theatrical Productions.” (Sorenson)

Taft, Stephen W. “Strategic Planning in the Arts: A Professional Problem.” (Weaver)

1990
Crawford, Ray S. “Music in the Acting Studio: An Approach to Actor Training.” (Sorenson)

Gamble, Richard J. “Managing Change in a Non-profit Corporation: A Professional Problem.” (Weaver)

Hicks, Carol Ann. “The Creation of a Lubbock Community Theatre.” (Sorenson)