Fine Arts Graduates, Theatre Majors From 1980-1989

1989
Placette, Adonia D. “Spalding Gray: The Humorist and His ’Method.’” (Sorenson)

Runnels, Marti R. “Lee Breuer and His Cross-Cultural American Classicism.” (Sorenson)

Sprague, Kathleen J. “The Haverstock Family Tent Show.” (Ashby)

1988
Blain, Lynda C. “The Shakespeare Festival of Dallas: An Internship Report.” (Weaver)

Norman, Stanley S. “A Systems Analysis of Southwest Theatre Association: An Internship.” (Weaver)

1987
Colwin, Thomas L. “Magic, Trick-Work, and Illusion in the Vampire Plays.” (Newlin)

Crawford, David W. “The Development of a Playwriting Philosophy as Demonstrated in the Writing of a Full-Length Script.” (Weaver)

Ellis, Morris R. “A Catalog: The Robert L.B. Tobin Collection: Scene Designs: 16th through 19th Centuries.” (Newlin)

Fleming, Brent L. “Theatre Management Procedures: An Operations Manual for the Cultural Center Theatres in Taiwan, The Republic of China.” (Newlin)

Robinson, Kathryn D. “Fine Arts Education at Louisiana Tech University: A Systems Analysis.” (Weaver)

Seay, Donald W. “Sponsored Project Funding: The Development of the Center for the Advancement of Professional Theatre Training and Applied Research at Texas Tech University.” (Weaver)

1986
Beach, Claudia A. “Henry Greenwall: Theatre Manager.” (Ashby)

Fleming, Carol A. “Promoting University/College Theatre in Rural Areas: Program Analysis and Consumer Oriented Planning.” (Weaver)

Herman, Richard J. “Joseph Chaikin: Thematic Investigations of Life and Death.” (Sorenson)

Holcomb, Richard E. “New Stagecraft Principles Applied to Two Musical Comedy Costume Designs of Miles White.” (Gerlach)

Lichti, Esther S. “Richard Schechner and the Performances Group: A Study of Acting Technique and Methodology.” (Weaver)

Peters, Steven J. “Modern to Postmodern Acting and Directing: A Historical Perspective.” (Sorenson)

Swofford, Mary E. “Adapting Athletic Recruiting Practices to the Recruitment of Students for the Fine Arts Program at Incarnate Word College—An Internship.” (Weaver)

1985
Hubbard, Ronny. “The Expectation of Structure: A Proposal for New Plays.” (Sorenson)

Mitchell, Mary Anne. “The Development of the Mask as a Critical Tool for an Examination of Character and Performer Action.” (Sorenson)

Myers, Roland W. “A Translation and Critical Analysis of the Letters of Mikhail Semyonovich Shchepkin.” (Sorenson)

1984
Bristow, Donald Gene. “A Descriptive Catalogue of the Elmer Rice Collection at the University of Texas.” (Weaver)

Hearth, Dale Lynn. “Marketing the Performing Arts: The Joffrey Ballet’s 25th Anniversary Season.” (Weaver)

Hustoles, Paul John. “Musical Theatre Directing: A Generic Approach.” (Sorenson)

1983
Cotton, Jerry Duvan. “Sam Shepard’s Theatre of Fragmentation: A Performance Theory.” (Sorenson)

McCluskey, Marie Mavis. “Golden Wings, Flowers and Other Magical Things: A Phenomenological Concept of Criticism and a Musical Play.” (Sorenson)

1982
Bilbo, Jack Leggett, Jr. “Economy and Culture: The Boom-and-Bust Theatres of Pensacola, Florida, 1821-1917.”(Ashby)

Rucker, Patrick C. “Ben Iden Payne and the Development of the Modified Elizabethan Stage.” (Sorenson)

Weaver, Arden Walter. “A Look at the State Designs of Peter Larkin Through a System of Critical Analysis.” (Newlin)

1981
Bautista, Michael Phillip. “Ten Years of Stage Design at the Met (1966-1976).” (Newlin)

Brooks, Mona Rebecca. “The Development of American Theatre Management Practices Between 1830 and 1896.” (Weaver)

Graves, Kevin Lee. “A Managerial Analysis and Guide for Production Programs as a Part of Educational Curricula in Divisions of Fine Arts at Small Private Colleges in America.” (Weaver)

Martin, Jerry Lavern. “Henry L. Brunk and Brunk’s Comedians: Tent Repertoire Empire of the Southwest.” (Ashby)

Phaneuf, Cynthia Lynn Melby. “Ensemble: A Process of Actor Training.” (Sorenson)

1980
Cummins, Douglas Matthew. “Management by Objectives in Community Theatre: An Internship Report.” (Weaver)

Williams, Edward Don. “Texas: A Model for Success.” (Ashby)