2009
Anderson, Priscilla Marie. “The Feminine Grotesque in the Plays of Pam Gems.” (Marks)
2008
Best, Mickey Dale. “Fine Arts Faculty Evaluation Process in Higher Education: Its Value as a Motivator of Teaching Improvement and Lessons for Administrators.” (Williams)
2007
Chance, Terry Michael. “Writing an Original Score for the Oxford Street Players of Lesley University's Production of the Merry Wives of Windsor, Texas: "Shore Know How to Git a Man Down.” (Donahue)
Daniels, Velicia Lee. “The Selma Stories: Developing a Testimonial Drama about Women of Courage during the Civil Rights Movement.” (Gelber)
West, Keith Ray. “Theatre of the Mind, Live On Stage: Radio Theatre Production for Theatre Practitioners.” (Bert)
White, Greg Leon. “Making Myth: Recreating the Celebrity Persona in Playwriting.” (Bert)
Wygant, David L. “Why Theatre Voice Training Works: Examining The Process Through Psychosynthesis.” (Mann)
2006
Hyatt, Garey Andrew. “A Compendium of Promising Practices in Youth Arts Programs: A National Endowment for the Arts Internship Report (2001-2004).” (Donahue)
Wintour, Elizabeth Gayle. “From Retrospect to Millie's War: Writing a Configurative Play.” (Bert)
2005
Westkaemper, Lisa Kay. “Education and Outreach for Angels in America: Millennium Approaches (A Professional Problem).” (Donahue)
White, Patrick Allen. “Analyzing a Postmodern Script through Its Mise en Scene: An Approach to Richard Foreman’s Paradise Hotel.” (Bert)
2004
Hannah, Michael Bivian. “The Developing Masculine Image and Its Relationship to Stage Costume in England and France 1660-1830.” (Marks)
Vaughn, Patrick Clay. “Behind the Pine Curtain: Community Theatres of Deep East Texas.” (Williams and Donahue)
2003
Bush, James Beekman. “The Actor’s Makeup: A Psychological Profile of Acting Students.” (Marks)
Fransen, Wade John. “Process Drama and Creative Problem Solving: An Integrated Approach.” (Homan)
Lee, James William. “Dalcroze by Any Other Name: Eurythmics in Early Modern Theatre and Dance.” (Marks)
2002
Doyle, Laurie Ellen. “Church Drama and Conservative Christianity:
Developing A Drama Ministry at Broadway Church of Christ.” (Bert)
Graves, Kerry Lee. “The Emerging Prominence of Women Choreographers in the American Musical Theatre: A History and Analysis.” (Marks)
Lee, Kiwon. “The Dynamics of Richard Foreman’s Theater: Text and Performance.” (Bert)
Lu, Hung-Hui. “A Strategic Planning Model for the Performance Workshop (Taiwan): An Internship Report.” (Marks)
Ni, Shu-lan Miranda. “The Development of a Genre: Pina Bausch and Late Twentieth-Century Dance Theatre.” (Marks)
2001
Magness-Eubank, Karen Ann. “Behind the Veil: Revisioning the
Gaze in Film & Theatre.” (Homan and Nathan)
Perrault, Katherine. “Astronomy, Alchemy, and Archetypes: An Integrated View of Shakespeare’s A Midsummer Night’s Dream.” (Williams)
Wright, Mary Ellen. “Adrian Hall’s Dramatic Adaptations: A Playwriting Process and Model” ()
2000
Error, Darise Helen. “Towards a Holy Commercial Theatre: Betty
Buckley—History, Performance and Theory.” (Marks)
Partridge, Allen Ray. “Internet Collaboration and Exchange for Theatre (ICE-T): Developing Interactive Network Conferencing Software for Theatrical Collaboration.” (Bert)
Wooten, Kara Elizabeth. “Developing a Course in Stage Combat: A Manual for Instructors and Students.” (Lewis)