1999
Ford, John Scott. “The Estudio de Arte Guitarristico
of Manuel Lopez Ramos.” (Bogle)
Marcades, Michael Glenn. “Benjamin Britten’s Ad majorem Dei gloriam (A.M.D.G.): A Musico-Poetic Analysis and Performance Guide for the Choral Conductor.” (Davis)
1998
Cansler, Joe Ella. “Elements of Stylistic Unity and Variety in
the Solo Vocal Repertoire of Royal L. Brantley.” (Westney)
Emmons, Stephen David. “Concertino for 21 Players.” (van Appledorn)
Garverick, Jan Karen. “Selected Pedagogical Needs of the String Class as Addressed in the Compositions of Carol Nunez.” (Tanner)
Jagoe, Kevin Dean. “Frieze of Life: Music for Chamber Orchestra Based on Paintings by Edvard Munch.” (van Appledorn)
McCullar, Caia Manell. “Integrated Curriculum: An Approach to Collegiate Preservice Teacher Training Using the Fine Arts in the Elementary Classroom.” (Tanner)
McIntyre, Dean Bruce. “Baroque and Classical Style in the Selected Organ Works of the Bachschule.” (Hobbs)
Miller, Robert Dale. “The Graduals of Johann Michael Haydn: Performance Editions and Studies of Selected Works.” (Davis)
Pickeral, Charles Wilkins. “The Masses of Mary Lou Williams: The Evolution of a Liturgical Style.” (Hobbs)
Wristen, Brenda Gaye. “Overuse Injuries and Piano Technique: A Biochemical Approach.” (Deahl).
1997
Metz, Kenneth Robert. “Reflections on Monk for Concert Band.”
(Stoune)
Randolph, Dorothy Overn. “A Performance Edition and Critical report of the Six Sonatas for Violin and Harpsichord by Charles Chabran (Carlo Francesco Chiarano).” (Stoune)
Rennier, James Arthur. “In Search of Excellence: An Interinstitutional Comparison of Selected United Methodist Colleges and Music Departments that are Accredited by the National Association of Schools of Music.” (Hobbs)
Scott, Ronald David. “Band Music of Morton Gould.” (Stoune)
1996
Hazelwood, Redford Charles. “The Compositions for Bassoon of
George Junge (1899-1967).” (Stoune)
Oliver, Ronald Dale, Jr. “An Anthology of Renaissance Vocal Literature Suitable for High School Choirs.” (Davis)
Reigles, Barbara Jean. “The Choral Music of Amy Beach.” (Hobbs)
1995
Dean, Michael Lee. “Database on Clarinet Instruction at Colleges
and Universities in the United States.” (Stoune)
McCoy, D. Mark. “Act I of the Contemporary Opera: Hostages to Fortune.” (Biringer)
Saathoff, Mary Althea Jones. “A Study of Vocal Exercises and Vocalises Used in Selected University Vocal Programs.” (Tanner)
Shrader, James Allen. “The Choruses in Mozart’s Opere Serie: Practical Performances Possibilities.” (Davis)
Stutes, Ann Brashear. “Connected Teaching: Integrating Learning Styles with Developmental Stages in the Freshman Music Theory Classroom.” (Tanner and Biringer)
Walker, Kerry Elizabeth. “Cheek Inflation and Vowel Posture Techniques for the Flutist: The Exploration of a Kincaid Vision of Resonance Made Through Analogies to Vocal Pedagogy.” (Stoune)
1994
Purrone, Kevin C. “Dances Concertantes by Igor Stravinsky:
An Arrangement for Two Pianos, Four Hands.” (Westney)
Young, Lari Dianne. “An Historical View of Twentieth-Century American Society as Witnessed Through Musical Theatre: 1927 to Present.” (Tanner)
1993
Kairies, Joy Elizabeth. “Coherentism as a Model for Aesthetic
Evaluation.” (Stoune/Nathan)
Lo, Stephen Yuet-Din. “A Reading Course for Suzuki Piano Students.” (Cutter)
Sipley, Kenneth Lyman. “The Effects of Vocal Exercises and Information About the Voice on the Tone Quality and Self-Image of Adolescent Female Singers.” (Tanner)
Stapp, Paul Alexander. “Sinfonia for Concert Band.” (van Appledorn)
Summers, Sarah Nell. “The Orpheus Legend in Literature, Music and the Visual Arts: Four Twentieth Century Works.” (Cutter)
Weber, Stephen Paul. “Principles of Organization in Piano Etudes: An Analytical Study with Application Through Original Compositions.” (Westney)
White, Larry Keith. “Establishment of Pratt (Kansas) Music Theatre, Inc.: Arts Administration in a Rural Setting.” (Hobbs)
1992
Baer, Susan. “The Virtuoso Violin Works of Maurice Ravel: An
Analysis of Structural, Technical and Interpretive Functions.” (Barber)
Butts, David Leon. “A Computer-Assisted Statistical Investigation of Selected Variables in the Solo Guitar Studies of Fernando Sor: Implications for Pedagogy and Performance.” (Bogle)
Chung, Wan Kyu. “An Analysis and Evaluation of Beginning Piano Methods Used in Korea.” (Wilson)
Stalker, Orville Kent. “A Survey of Selected Music for Organ and Orchestra, 1878-1915.” (van Appledorn)
Stearns, Roland Huffman. “Continuo for Lutenists and Guitarists: A Tutor and Music Theory Supplement.” (Bogle)
1991
Hoover, Jeffrey L. “Concerto for Percussion and Wind Symphony.”
(van Appledorn)
Olson, Kenneth S., III. “Lamentation Cantata.” (van Appledorn)
Rauscher, James Francis. “Treatment of the Piano in Orchestral Works of Igor Stravinsky.” (Westney)
Robinson, Susan. “Three Contemporary Orchestral Compositions by American Women: A Guide to Rehearsal and Performance for the University Orchestra Conductor.” (Hobbs)
White, Danny Lloyd. “The Choral Music of William Allen.” (Davis)
1990
Fast-Sinclair, Beverly A. “Die Qualen-: A Contemporary
Passion.” (Paxton)
Landers, Harvey J. “The Horn in Selected Symphonies of Anton Bruckner.” (Stoune)
Martinez, Maria D. “Psycho-Physical Aspects of the Interchange Between Piano and Harpsichord: A Study of Experiences and Opinions of Current Performers and Educators.” (Westney)
Wallace, Elizabeth A.E. “The Effect of War on the Lives and Work of Piano Composers and the Evolution of Compositional Technique in War-Related Pieces from 1849 Through the Second World War.” (Westney)