Fine Arts Graduates, Music Majors From 1980-1989

1989
Alesio, Vena Beth. “Dichterliebe: An Interpretive Guide.” (Wilson)

Hawkins, Roy B. “The Life and Work of Robert Russell Bennett.” (Stoune)

1988
Duguid, CarleD. “A Pedagogical Study of Selected Intermediate Violin Pieces.” (Barber)

Fennell, David L. “The Clarinet Music of Charles Villiers Stanford.” (Stoune)

Glazer, Stuart A. “Concerto for Flute and Concert Band.” (van Appledorn)

Kneupper, David J. “Heartbeat: A Narrative-form Music Video.” (van Appledorn)

Stirzaker, Thomas A. “A Comparative Study of Selected Clarinet Works by Arhtur Honegger, Darius Milhaud and Francis Poulenc.” (Stoune)

Wiles, Patricia W. “A Study of Job: A Masque for Dancing, by Ralph Vaughan Williams.” (Cutter and Rigsby)

1987
Sheppard, Kenny M. “Selected Choral Works of Learmont Drysdale, Scotland’s Forgotten Composer.” (Luce)

Stewart, Arthur F. “C.S. Peirce, Mechanicalism and Music.” (Ketner)

Wham, Quincie M. “Schoenberg/Kandinsky: The Genesis of Atonality/Abstraction, 1908-1914.” (Redcay and Rigsby)

1985
Bohnet, Andra A.C. “The Transcriptions as a Supplement to Nineteenth-Century Flute Repertoire.” (Stoune)

1984
Whitaker, Charlotte Sibley. “The Modification of Pyschophysiological Responses to Stress in Piano Performance.” (Tanner)

1983
Liew, Robert C. “The Guitar Chamber Trio from 1780-1830: Its Style and Structure.” (Barber)

1982
Krout, Karen June. “Performance Editions of Selected Works from Johann Jakob Walther’s Hortulus Chelicus with Historical and Editorial Notes.” (Barber)

Nordyke, Diane Wilkinson. “The Piano Works of Carlos Chavez.” (Redcay)

Rhodes, Hugh Harvey, Jr. “A Theory of Short-Term Pitch Memory as Indicated by EEG.” (Marple)

1981
Fulton, William Kenneth. “Selected Choral Works of William Walton.” (Luce)

Paxton, Steven Errol. “Music for Wings.” (van Appledorn)

Pickett, Susan Eileen. “Ferdinand Fraenzl’s Symphonic Concertante, Opus 4: A Performing Edition with Historical and Editorial Notes.” (Barber)

Rodman, Marion Eugene. “Range Distribution, Timbre and Cent Calibration as Factors in Pitch Discrimination Capacities.” (Marple)

1980
Alfred, Maurice Everett. “A Study of Selected Choral Works of Claude Debussy.” (van Appledorn)

Carter, Susan Lynne Blinderman. “The Piano Music of Samuel Barber.” (Redcay)

Murphy, James Lawson. “The Choral Music of Halsey Stevens.” (van Appledorn)

Rodean, Richard William. “An Analysis of Structural Elements and Performance Practice in Arnold Shoenberg’s Die gluckliche Hand.” (van Appledorn)