Fine Arts Graduates, Music Majors From 2000-Present

2009

Bair, Michelle Elizabeth. “The Saint Paul Chamber Orchestra and the 2008 League of American Orchestras Inaugural Development Fellowship Program: A Fellow's Report. ” (Smith and Stoune)

Forrest, David Lamar. “Prolongation in the Choral Music of Benjamin Britten.” (Santa)

Kraemer, Jonathan M. “Echoes of War – The Resonating Patterns of Influence: An Examination of Recurrent Musical Trends in Large-Scale, Sacred, British, Anti-War Choral Works of the Twentieth Century.” (Jocoy)

Morrow, Meredith Annette Ware. “The Lubbock Youth Symphony Orchestra During the 2008-2009 Season: An Internship Report. ” (Stoune)

Patterson, Mark Joseph. “Analysis of Instructional Time Use and Preferred Teaching Strategies of Three Highly Successful Choral Directors.” (Killian)

Rollins, Ian. “Ritmo Caliente: Cal Tjader, 1950’s Dichotomies, and the Untold Story of Latin Jazz.” (Smith)

2008

Buckner, Jeremy Joel. “Comparison of Elementary Education And Music Education Majors' Efficacy Beliefs In Teaching Music.” (Killian)

Turner, Wallace David. “Trio for Clarinet, Violoncello and Piano: An Original Work.” (Van Appledorn)

2007

Lyman, Kristin Marie. “The Percussion Scholarship Program.” (Rogers)

Paney, Andrew Sean. “Directing Attention in Melodic Dictation.” (Brumfield)

Pekowski, John Michael. “A Method for Composing with Interval Cycles as Applied to an Original Composition for Symphony Orchestra.” (Van Appledorn and Santa)

Surface, Edward C. “An Assessment of Tenured Music Faculty Perceptions to Post-Tenure Review in Public Universities in Texas.” (Stoune)

2006

Basinger, Lynn. “An Acoustical Analysis of Voice Matching and Placement as it Relates to Choral Blend and Tone.” (Killian)

Du, Shin-Huei. “The Revival of the Glendale Symphony Orchestra Association in the 2005-06 Season: An Internship Report.” (Stoune)

Maher, Donna Michelle. “Introducing School Bands to the Non-March Works of John Philip Sousa: Contemporary Performance Edition and Conductor’s Guide to When My Dreams Come True.” (Stoune)

2005

Baker, Vicki Dorothy. “The Relationship between Job Satisfaction and the Perception of Administrative Support among Early Career Secondary Choral Music Educators.” (Killian)

Bulls, William Gregory. “Harmonic Attraction and Functional Discharge.” (Santa)

Fuller, Lynnda Nunn. “History of the Inclusion of Orff and Kod?ly Methodologies in Oregon Music Educator Preparation.” (Killian)

Pendleton, III, Joe Charles. “Amateur Community Choruses: Exploratory Case Studies of Ensembles in Texas.” (Stoune)

Ross, Elaine M. “Firefly: An Original Composition for Symphonic Wind Ensemble.” (Fischer)

2004

Johnson, Michael Duane. “Wade H. Hammond (1879-1957): Early Twentieth Century African-American Bandmaster.” (Killian and Stoune)

Parsons, Jeffrey Lee. “Marcel Grandjany’s Harp Transcriptions and Editions.” (Hobbs)

Tobita, Yujen Chen. “Historical Background and Pedagogical Analysis of Piano Works by Selected Taiwanese Composers.” (Westney)

Zapata, Eugenio. “Developing an Inter-Arts Course for Collegiate Piano Majors: Developing and Enhancing Pianistic Artistry Through the Integration of Selected Activities from the Visual, Kinesthetic, and Theatrical Arts.” (Westney)

2003

Chung, Szu-Ming. “A Music Program for Grade One Based on Music Curriculum Standards (1993) in Taiwan.” (Brumfield)

Delgatty, Candida Dawn. “Administrative Leadership and Organizational Structure of the American Symphony Orchestra: An Internship Report.” (Stoune and Westney)

Dutton, Leslie Ruth. “Merging Music and Poetry; A Professional Problem.” (Stoune)

Hood, James Robin. “Worship Arts Technology Used by Early Twenty-First Century Urban Baptist Churches in Northwestern Texas: An Analysis.” (Stoune)

Rubrecht, Karl Eric. “A Study of Selected Twentieth-Century Student Works for Piano and Orchestra, With Application Through an Original Composition: Three Essays for Piano and Orchestra.” (Westney)

Tang, Mei-Yuk. “Pedagogical Works for Piano by Samuel Adler.” (Deahl)

Webster, Thomas R. “E7A (Concert March): A Theoretical Analysis and Conductor’s Rehearsal Guide.” (Stoune)

2002

Camp, Philip Reuel. “A Historical and Contextual Examination of Alexandre Gretchaninoff’s Second Liturgy of St. John Chrysostom, Opus 29.” (Davis)

Dean, Michael Noel. “Renaissance and Baroque Characteristics in Four Choral Villancicos of Manual De Sumaya: Analysis and Performance Editions.” (Davis)

Etter, Paul James. “Ralph Vaughan Williams’ Hodie: An Analysis and Performance Guide for the Choral Conductor.” (Davis)

Kahlstorf, Delano K. "The Two-Part Inventions of Johann Sebastian Bach: A Performing Edition Based Upon the Keyboard Technique and Performance Practice of Bach and His Circle." (Deahl)

Pedroza, Ludim. “The Ritual of Music Contemplation: An Anthropological Study of the Solo Piano Recital as Cultural Performative Genre.” (Westney)

Webster, Thomas Ray. “E7A (Concert March): A Theoretical Analysis and Conductor’s Rehearsal Guide.” (Stoune)

2001

Deats, Carol Jean. “Toward Pedagogy of Extended Techniques Derived from Vincent Persichetti’s Parable, Opus 120.” (Stoune)

Stern, David W. “The Use of the Euphonium in Selected Wind Band Repertoire Since 1980.” (Birdwell)

Tucker, Robert. “A Historical Examination of the Hymn Tune Ein Feste Burg and its Treatment in Selected Twentieth-Century Concert Band Literature.” (Stoune)

2000

Williams, Marian Kay. “An Alternative Class Piano Approach Bases on Selected Suzuki Principles.” (Wilson)