2008
Turner, Wallace David. “Trio for Clarinet, Violoncello and Piano: An Original Work.” (Van Appledorn)
2007
Lyman, Kristin Marie. “The Percussion Scholarship Program.” (Rogers)
Paney, Andrew Sean. “Directing Attention in Melodic Dictation.” (Brumfield)
Pekowski, John Michael. “A Method for Composing with Interval Cycles as Applied to an Original Composition for Symphony Orchestra.” (Van Appledorn and Santa)
Surface, Edward C. “An Assessment of Tenured Music Faculty Perceptions to Post-Tenure Review in Public Universities in Texas.” (Stoune)
2006
Basinger, Lynn. “An Acoustical Analysis of Voice Matching and Placement as it Relates to Choral Blend and Tone.” (Killian)
Du, Shin-Huei. “The Revival of the Glendale Symphony Orchestra Association in the 2005-06 Season: An Internship Report.” (Stoune)
Maher, Donna Michelle. “Introducing School Bands to the Non-March Works of John Philip Sousa: Contemporary Performance Edition and Conductor’s Guide to When My Dreams Come True.” (Stoune)
2005
Baker, Vicki Dorothy. “The Relationship between Job Satisfaction and the Perception of Administrative Support among Early Career Secondary Choral Music Educators.” (Killian)
Bulls, William Gregory. “Harmonic Attraction and Functional Discharge.” (Santa)
Fuller, Lynnda Nunn. “History of the Inclusion of Orff and Kod?ly Methodologies in Oregon Music Educator Preparation.” (Killian)
Pendleton, III, Joe Charles. “Amateur Community Choruses: Exploratory Case Studies of Ensembles in Texas.” (Stoune)
Ross, Elaine M. “Firefly: An Original Composition for Symphonic Wind Ensemble.” (Fischer)
2004
Johnson, Michael Duane. “Wade H. Hammond (1879-1957): Early Twentieth Century African-American Bandmaster.” (Killian and Stoune)
Parsons, Jeffrey Lee. “Marcel Grandjany’s Harp Transcriptions and Editions.” (Hobbs)
Tobita, Yujen Chen. “Historical Background and Pedagogical Analysis of Piano Works by Selected Taiwanese Composers.” (Westney)
Zapata, Eugenio. “Developing an Inter-Arts Course for Collegiate Piano Majors: Developing and Enhancing Pianistic Artistry Through the Integration of Selected Activities from the Visual, Kinesthetic, and Theatrical Arts.” (Westney)
2003
Camp, Philip Reuel. “A Historical and Contextual Examination of Alexandre Gretchaninoff’s Second Liturgy of St. John Chrysostom, Opus 29.” (Davis)
Chung, Szu-Ming. “A Music Program for Grade One Based on Music Curriculum Standards (1993) in Taiwan.” (Brumfield)
Delgatty, Candida Dawn. “Administrative Leadership and Organizational Structure of the American Symphony Orchestra: An Internship Report.” (Stoune and Westney)
Dutton, Leslie Ruth. “Merging Music and Poetry; A Professional Problem.” (Stoune)
Hood, James Robin. “Worship Arts Technology Used by Early Twenty-First Century Urban Baptist Churches in Northwestern Texas: An Analysis.” (Stoune)
Rubrecht, Karl Eric. “A Study of Selected Twentieth-Century Student Works for Piano and Orchestra, With Application Through an Original Composition: Three Essays for Piano and Orchestra.” (Westney)
Tang, Mei-Yuk. “Pedagogical Works for Piano by Samuel Adler.” (Deahl)
Webster, Thomas R. “E7A (Concert March): A Theoretical Analysis and Conductor’s Rehearsal Guide.” (Stoune)
2002
Dean, Michael Noel. “Renaissance and Baroque Characteristics
in Four Choral Villancicos of Manual De Sumaya: Analysis and Performance
Editions.” (Davis)
Etter, Paul James. “Ralph Vaughan Williams’ Hodie: An Analysis and Performance Guide for the Choral Conductor.” (Davis)
Kahlstorf, Delano K. "The Two-Part Inventions of Johann Sebastian Bach: A Performing Edition Based Upon the Keyboard Technique and Performance Practice of Bach and His Circle." (Deahl)
Pedroza, Ludim. “The Ritual of Music Contemplation: An Anthropological Study of the Solo Piano Recital as Cultural Performative Genre.” (Westney)
Camp, Philip Reuel. “A Historical and Contextual Examination of Alexandre Gretchaninoff’s Second Liturgy of St. John Chrysostom, Opus 29.” (Davis)
Webster, Thomas Ray. “E7A (Concert March): A Theoretical Analysis and Conductor’s Rehearsal Guide.” (Stoune)
2001
Chaffin, Lon W. “Beyond the Thorn: An Opera in Two Acts.”
(van Appledorn)
Deats, Carol Jean. “Toward Pedagogy of Extended Techniques Derived from Vincent Persichetti’s Parable, Opus 120.” (Stoune)
Stern, David W. “The Use of the Euphonium in Selected Wind Band Repertoire Since 1980.” (Birdwell)
Tucker, Robert. “A Historical Examination of the Hymn Tune Ein Feste Burg and its Treatment in Selected Twentieth-Century Concert Band Literature.” (Stoune)
2000
Belshaw, Gary Dennis. “Wind Sculptures for Trombone and Band.”
(van Appledorn)
Williams, Marian Kay. “An Alternative Class Piano Approach Bases on Selected Suzuki Principles.” (Wilson)